Editioning Ray Richardson

Our assistant Rachael Kidd has been editioning a couple of Ray Richardson's new lithographs. 

Catherine Bertola

We recently worked for Catherine Bertola on a new piece 'Revirescit (It grows green again)' a limited edition of one hundred lead cockades, produced as part of Touching Distance//Astar Buntainn, a response to Culloden Battlefield, Scotland.


Revirescit (It grows green again)
2012
Lead in presentation box
140 x 120 x 65mm
Photo: Ewan Weatherspoon and IOTA
Courtesy the artist, Workplace Gallery and Galerie M+R Fricke

T-Shirt Abroad - Venice

Travelling again, this time to Venice courtesy of Iris Priest.

Ray Richardson has given his approval to print on a Baker's Dozen of new lithographs. You can see them first at Ben Oakley Gallery in Greenwich, 10th May - 3rd June.

George Shaw at The Fitzwilliam Museum

Edgelands

Prints by George Shaw and Michael Landy

Tue 27 March 2012 to Sun 23 September 2012

at The Fitzwilliam Museum, Cambridge.

T-Shirt Abroad - Canada

Ant Macari working in his studio while on a residency at the Banff Centre.

T-Shirt Abroad - Cuba

That man Narbi Price has been at it again. The walking billboard headed over to Cuba at the start of the year and had this picture taken from the spot that Fidel Castro made his speeches from. Photo credit: Nancy Isherwood

Michael Mulvihill

4" x 6" is the approx size of Michael Mulvihill's work and the eraser is one of his main drawing tools. He brought a selection of these along to experiment with on our stones & plates. A jolly and rewarding two days were had and the results were better than we both expected.

You can see Michael's drawing by visiting > Vane

Cornelia Hesse-Honegger

Flying in from Zurich with a snow on the runways at Heathrow can have it's problems (especially w/luggage!) but this didn't prevent Cornelia Hesse-Honegger from making it to Newcastle to collaborate on her piece for the Locus+ portfolio.

Sneak Peek - George Shaw

It was a delight to have George Shaw return to Newcastle and to Hole Editions for the first time in 2012. This isn't George's first visit to our new workshop but is his first collaborative visit. Wasting no time upon his arrival, lithographic pencil touched stone and production began on three new works.